Gallery management software · AI built in
↳Art Basel Paris, stand K11 · reserved for a London collector
The gallery software that knows where every work is.
Inventory, editions, locations, loans, exhibitions, collectors and your website. Designed in Paris, in French and English, for contemporary art galleries.
Built with Galerie Allen, Paris
Galerie Log
Galerie Démo
| Title | Stock no. | Location | Status | Price | |
|---|---|---|---|---|---|
![]() | Sleep in Oblivia Jacqueline de Jong, 2023 | JDJ23260001 | Art Basel Paris, K11 | Reserved | €80,000 |
![]() | Tangled up in creepers, syllables, woodbine, colours and words Mel O'Callaghan, 2023 | MOC23260002 | Art Basel Paris, K11 | Available | €34,000 |
![]() | The Longest Day Angelica Mesiti, 2025 | AM25260002 | Art Basel Paris, K11 | Available | €11,000 |
![]() | Beginner's Luck Jacqueline de Jong, 1976-8 | JDJ76260005 | Marais - Backspace · Mezzanine | Available | €105,000 |
![]() | Redundant Lover (Amazonite) Trevor Yeung, 2025 | TY25260001 | Art Basel Paris, K11 | Available | €31,000 |
![]() | X0953Y1364 Mia Marfurt, 2020 | MM20260003 | Marais - Backspace · 2ème étagère à droite | Available | €14,000 |
![]() | Bowl Balls Natsuko Uchino, 2026 | NU26260004 | Marais - Backspace · Mezzanine | Reserved | €12,000 |
![]() | Conduction Daniel Turner, 2024 | DT24260001 | Sold | €25,000 |
Galerie Log is being built day to day with Galerie Allen, Paris, on its real inventory, storage, fairs and loans. Every feature answers a question a gallery team asks every week.




Run the inventory, the storage, the fairs and the collectors from one record per work. Your website updates itself.
Keep the catalogue, the provenance and the exhibition history of a body of work in order, in two languages.
Know where every piece is, who has it, and what it is worth, without a spreadsheet.
One record per artwork feeds the inventory, the tearsheet, the price list, the exhibition, the private view and the website.
Stock numbers, images, documents, prices and status. Editions tracked copy by copy, with artist's proofs.
Every move is logged: gallery, storage, shelf, framer, fair, client. You always know where a work is.
Pick-up and return dates, with alerts before a work is due back and when it is late.
Build the selection, print the price list, share a private view, keep the exhibition history on each work.
Tags, invitation lists, interests by artist, purchase history and CSV export for your newsletter tool.
French and English captions written once. Tearsheets and price lists ready to print or send.
Publish a work or an exhibition with one switch. Artists, works and shows appear on your site.
Send a selection with or without prices, by email or WhatsApp, with an expiry date.
Intelligence built in
Galerie Log uses AI where it saves real time, always on your own data, and never without a person checking.
Ask in plain French or English: what is due back, which works are available under €20,000, who collects this artist. Answers link to the records.
Photograph a work in the storage or at the studio. Galerie Log drafts the record in both languages; you check and save.
Print a label for each work or crate. Scan it with a phone to move the work, change its status or share it.
The interface, the records, the captions and the website follow each person's language, and switch in one click.
Your database runs in Paris on European infrastructure, with access rules per gallery and per role.
Invoices and pro formas with the reduced 5.5% VAT rate on works of art, margin scheme and export.
We help you bring your artworks, artists and contacts across from Curator Studio, Artlogic or spreadsheets.
The works, artists and exhibitions you publish appear on your site straight away, in French and English. No second system to maintain.
See Galerie Allen's website →





Yes. We help you import artworks, artists, images and contacts from Curator Studio, Artlogic or spreadsheets, and check the result with you before you switch.
Entirely. Each person chooses French or English, and the records hold both languages so captions, tearsheets and the website are ready in each.
In a database hosted in Paris. Each gallery only ever sees its own data, and each team member has a role: owner, staff or read-only.
Only when someone in your team asks it something, and only through the same access rules as that person. It reads, it never changes anything on its own.
No. You can keep your current site, or let Galerie Log feed a new one from your inventory.
Yes. The back office works on a phone, and QR labels open a quick view to move a work or share it from the storage or the fair.
A 30-minute presentation, then a demo with a few of your own artworks loaded in.